If you are doing critical color grading work, you'll need a stand-alone video monitor. (Log media edited into an SDR project is not HDR.) You don't need an HDR-capabile monitor if you are not editing HDR. Monitors can be replaced as technology changes. And not just larger screens, but higher resolution as well. While picking a monitor is partly personal choice, Final Cut Pro, Premiere Pro, and Media Composer are highly complex interfaces. Yes, desktops are more powerful, but given today's computer technology any Mac laptop can easily edit HD or 4K video. So, here are the six decisions you need to make that affect the performance of your next Mac. These choices determine how comfortable you are editing, but not the inherent performance of your system. This includes: the color of the hardware style of the monitor and whether you use a mouse, trackpad, control surface, or other gear to move about the screen. There are lots of decisions you can make that don't affect performance, but do reflect your personal style and manner of working. I've added one to my system and its made a big difference. Docks today are a very capable way of expanding the devices your computer can connect to. Don't let the number of ports on a computer drive your decision. ![]() Or you may need to connect a ton of external gear. You may only need one to connect with storage.
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